At the heart of Anna's paintings lies literary works of magical realism, as a source of trans confessional patterns that can balance the reader's mind on the verge of reality and reflection. The Author possesses an incredible power of imagination in designing physical spaces created by men and left abandoned. One of them is a palace occupied by cows from The Autumn of The Patriarch by Gabriel Garcia Marquez. Once, a dictator lived in the palace, terrorizing the city. He kept people in such fear that they could not enter the palace even after his death. Nature slowly took hold of it: cows, as the rightful masters of the place abandoned by humans, entered through the open doors and leisurely chewed on moss-covered drapes as if delaying the onset of change. The animals, whose behaviour patterns are always refined and ritualized, may appear chaotic and primitive to us. Cows' behaviour, regarded as a pattern of time, with their swarming figures, chewing, and shooing flies away, translates the experience of duration contrary to the settled drapes; the time parameter operates as the primary means to appropriate the experience from the imagined space.